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This is Violence and the Sacred
captured in their natural environment, improvising the hell out of a
bunch of tapes, guitars, violins, and various percussive devices,
live in Montreal in 1986. The guitars are very Derek Bailey-esque,
searching for a lost chord that never existed before, and failing;
but finding the right wrong notes. The tape plunderphonia is
sometimes a bit obvious, Captain Beefheart from Trout Mask Replica,
and the “....Here is a man who would not take it anymore”......
speech from Taxi Driver, as two glaring examples. There are times
when they achieve a cacophonic racket that challenges the evil realms
of good taste, to send the Henry and Henrietta Normals running for
the exits. This was the original intention for the art of guitar
abuse, scraping and scratching and squealing to be free of outside
controlling influences; and this is Free anti-music that shuns
convention. They sort of remind one of the legendary British free
improv noise combo AMM; which is a compliment indeed.
Track Listing:
Side A - 27:15
Side B - 26:11


2 comments:
hello again,
you don't happen to have a copy of Various – Beats Working For A Living! [Rare Forgotten Demos 73-84]
do you? includes another cut by graph, and other
d.i.y.
northfield
Sorry,not got that.This is a Sheffeild coomp is it not? I will ask around.
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